{"id":14,"date":"2012-03-03T17:18:57","date_gmt":"2012-03-03T22:18:57","guid":{"rendered":"http:\/\/robertkelleyphd.com\/home\/?page_id=14"},"modified":"2024-12-16T18:25:17","modified_gmt":"2024-12-16T23:25:17","slug":"music-theory","status":"publish","type":"page","link":"https:\/\/robertkelleyphd.com\/home\/music-theory\/","title":{"rendered":"Music Theory"},"content":{"rendered":"<ul>\n<li>Dissertation<\/li>\n<p><\/p>\n<ul>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/dissertation.htm\">Transformations Modulo 7 in Extended Tonality<\/a><\/li>\n<p>\n<\/ul>\n<li>Music Theory Papers:<\/li>\n<p><\/p>\n<ul>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/justtonnetz.htm\">Charting Enharmonicism on the Just Intonation <em>Tonnetz<\/em><\/a>, 2002-3<\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/hugowolf.htm\">In the Dark Shadow: Enharmonic Equivalence as Subtext in Two Wolf <em>Lieder<\/em><\/a>, 2003<\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/mod7.htm\">Reconciling Tonal Conflicts: Mod-7 Transformations in Chromatic Music<\/a>, 2004<\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/prolongation.htm\">Evaluating Prolongation in Extended Tonality<\/a>, 2005<\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/tonalfunction.htm\">A Mathematical Model of Tonal Function<\/a>, 2006<\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/ShapeNoteMusic\/\">Sacred Harp Harmony: A Part-Writing Primer for Shape-Note Hymnody<\/a>, 2009<\/li>\n<li><a href=\"https:\/\/robertkelleyphd.com\/home\/ShapeNoteMusic\/ACorpusBasedModelOfHarmonicFunctionInShapeNoteHymnodyPaper.pdf\">A Corpus-Based Model of Harmonic Function in Shape-Note Hymnody<\/a>, 2016<\/li>\n<li><a href=\"https:\/\/robertkelleyphd.com\/home\/ACorpusBasedModelOfVoiceLeadingInTonalMusic.pdf\">A Corpus-Based Model of Voice Leading in Tonal Music<\/a>, 2017<\/li>\n<li><a href=\"https:\/\/robertkelleyphd.com\/home\/ShapeNoteMusic\/DispersedHarmonyAsAMeansOfDistinguishingSacredHarpHymnTuneSubgenres.pdf\">Are Sacred Harp Style Periods Statistically Distinct?<\/a>, 2024<\/li>\n<p>\n<\/ul>\n<li>Musicology Essays:<\/li>\n<p><\/p>\n<ul>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/messiaen.htm\"> Tradition, the Avant Garde, and Individuality in the Music of Olivier Messiaen<\/a>, 2000<\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/semele.htm\">Dramatic Themes in John Eccles&#8217;s <em>Semele<\/em><\/a>, 2005<\/li>\n<p>\n<\/ul>\n<li>Translations:<\/li>\n<p><\/p>\n<ul>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/nivers.pdf\"> Nivers, G.G. 1689. <em>L&#8217;Art d&#8217;Accompagner sur la Basse Continue Pour l&#8217;Orgue et le Clavecin<\/em><\/a>, 2001<\/li>\n<p>\n<\/ul>\n<li>Software:<\/li>\n<p><\/p>\n<ul>\n<li><a href=\"https:\/\/robertkelleyphd.com\/home\/music-theory\/software\/\">Java Computer Applications for Music Analysis<\/a><\/li>\n<li><a href=\"http:\/\/ptolemaic.lander.edu\/\">Ptolemaic: A Software Tool for Music Visualization and Analysis<\/a><\/li>\n<p>\n<\/ul>\n<li>Pedagogical Materials for Music Theory, Ear Training, Analysis, and Composition:<\/li>\n<p><\/p>\n<ul>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/tonalharmony.htm\">Tonal Harmony Reference Materials<\/a><\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/form.htm\">Form and Analysis Topical Outline<\/a><\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/16thcent.htm\">Introduction to Sixteenth-Century Counterpoint<\/a><\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/schenker.htm\">Introduction to Schenkerian Analysis: A Philosophical Basis for the Importance of Analysis.<\/a><\/li>\n<li><a href=\"http:\/\/www.robertkelleyphd.com\/home\/12-tone.htm\">Introduction to Analysis of Post-Functional (&#8220;Atonal&#8221;) Music<\/a><\/li>\n<\/ul>\n<\/ul>\n<p>The documents hyperlinked on this page are the intellectual property of Robert Kelley. Reproduction of any part of or ideas from these works without proper source documentation is unlawful.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dissertation Transformations Modulo 7 in Extended Tonality Music Theory Papers: Charting Enharmonicism on the Just Intonation Tonnetz, 2002-3 In the Dark Shadow: Enharmonic Equivalence as Subtext in Two Wolf Lieder, 2003 Reconciling Tonal Conflicts: Mod-7 Transformations in Chromatic Music, 2004 Evaluating Prolongation in Extended Tonality, 2005 A Mathematical Model of Tonal Function, 2006 Sacred Harp [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Research on the 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